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Roles And Bad Faith

Roles And Bad Faith

I watched Michael Mann’s Thief yesterday about, you guessed it, a thief. He’s the best thief, but he’s trying to get out of the business. You see this archetypal film a lot, “The best at x because it’s all they’ve ever known, but the consequences are catching up”. Compare this to another archetypal plot: “They’re the best at x but no one will give them a chance to prove themselves”. Of course there is the Hong Kong Kung Fu twist on this: “They have the potential to be the best at x but they need a master to help them achieve it”. It’s all influenced by the other now but this was a highlight between traditional Western and Eastern thought. Look at the cowboy films from the 60s, these badass men just drifted in from who knows where and they were masters of their art, fully formed from the womb no doubt. In the West we want to believe we can become masters using only extreme American gumption, and the tools at our disposal. In the East one can only achieve their true potential by acknowledging and listening to the wisdom of their elders. Like I mentioned though the two schools have mixed, at least in film (Think Kill Bill). James Caan’s thief did have a master in the form of a character played by Willie Nelson.

So what is it about these people that are the best at what they do that makes for a fascinating watch? All of our human existence is a struggle to learn and I think sometimes we want to fantasize about what happens when we get to the end. To use a concrete example, I’ve been cycling two years now and yeah I’d want to watch a film about the best cyclist (sit down Lance Fakestrong), what does that look like? What kind of super human feats could they accomplish? I know that objectively there is an actual best cyclist out there in the world since that’s how sports are structured, but give me a mythical, fictionalized one that I can aspire to, that will never break, disappoint or otherwise let me down. I think we all inhabit various roles every day of our lives, and there is satisfaction that comes from the being the best at it. Yet none of these roles are truly us.

To use an example from Jean-Paul Sartre that I just read about, say I am a waiter and I’m the best waiter gliding around a restaurant, taking orders, never forgetting a single item, never dropping a plate or delivering food late and charming all the patrons meanwhile. The totality of my being and energy in this moment is devoted to being an absolute badass waiter. Sartre describes this as living in bad faith with yourself because by inhabiting a role so perfectly you are undoubtedly pushing down the part of your consciousness that makes you a real person. So why do we do it? It feels good to perform. If we imagine an action as a series of miniature goals and targets then in a way every person on earth is an athlete and their sport is living. For example, as a waiter I know I have to take the orders of customers in the order that they arrived: that’s goal #1. I need to jot down or memorize the order correctly including customizations: goal #2. I need to deliver these orders to the kitchen on time: goal #3. These micro goals go on and on and achieving each one will produce some measure of satisfaction.

Another reason why we like to exist in bad faith is because it can be a form of meditation where we stop thinking of the pressures and anxieties that are outside of our control. It’s essentially a relief to inhabit some perfect (or perfect adjacent) version of ourselves that does not have to deal with pressures of true existence if even for a short while. It’s not a cure for our existentialist ailment of course, as our true authentic selves need to reassert eventually. Existing in a role for too long provides diminishing returns and if we lose sight of the compass that is our real being then we grow stale in the roles we have chosen for ourselves. This is the great wheel of life that capitalism (for one) has sunk its teeth into. Our jobs are defined by roles, and we are provided targets and goals for these roles. Corporations know that positive feedback titillates us, and providing a great amount of work for us to accomplish will keep us working by sheer force of existential dread. Yet even if we like our jobs, we are existing in bad faith because we ignore the multi-facetedness of our life. What’s more, existing in a role takes away our ability to choose, technically we are “deciding” to go to work every day, but ask yourself if you really are or if you feel forced to via the pressures surrounding you and then you’ll know that you’re living in bad faith. “But that’s what the weekend is for” I hear you corporate shills saying. Our lives should be lived in accomplishments, feats, decisions, and changes not in two days out of the week.

Everything Is Jazz

Everything Is Jazz

Yesterday I rode 100 miles on my bicycle, a concept that is still kind of mind blowing to me as even the thought of driving 100 miles fills me with exhaustion. From my Palm Springs Century post it’s clear though that 100 miles isn’t some monolithic suffer fest like you would imagine cycling 100 miles at a gym is. It really becomes a series of adventures, compromises, and improvisations. I think it’s that excitement that keeps the ride feeling fresh and vital the whole way through. This time I wont exhaustively cover the music through the ride because even though I was listening to some, since I was cycling through Los Angeles my mind was distracted by the sights of the city, and by trying to stay alive despite some drivers’ insistence otherwise.

Churro maple glaze

The century ride started as a great romp up the all the strand beaches and since I was riding mostly solo I could stop and take in views but more importantly stop for donuts. I had a deadline of 11 am to get to the arts district so I cut across Santa Monica, down the exposition bike path which runs parallel to the expo line, and finally down Venice boulevard straight into downtown. Just barely made it on time since I can’t play fast and loose with the traffic lights while riding alone, the ones in downtown especially took foooorever. Made it to Detroit Vesey’s (an awesome new cycling cafe at the arts district) just barely in time for the Heavy Pedal group ride that was rolling out.

They had posted the route in the weeks previous and it was going to be a ride up Elysian Park as an appetizer climb before hitting Griffith Park and climbing up to the observatory and back to the cafe for a raffle. What I didn’t know was that they had made the decision to do the route in reverse and hit Griffith first and I didn’t realize it until about 20 minutes in. Thankfully I made the start of the ride or I would have been severely lost, but Daniel was trying to catch up with us and I voice texted him the change in route lest he be lost forever too. He eventually caught with us up the climb to Griffith which I was impressed by because I would have given up and gone back. The group ride wasn’t slow either, I was struggling to keep up on the flats and once we hit the observatory climb I abandoned all hope of staying with the group. I went at a snail’s pace, I think the previous 60 miles, the heat, and the extra effort I had just made brought my energy levels way down.

Eventually Daniel who had long since caught and passed me told me that the group was waiting, and I did put in some extra effort because I didn’t want to be THAT guy who held everyone up even though I totally did anyways. I was the last person to get to the top and the group rolled out to take a photo in front of the Hollywood sign. Since it was hot and the group (me) was lagging it they decided to just ride straight back to the cafe which was a blessing since I wasn’t looking forward to the second climb.

Back at the restaurant we hade some delicious latkes, coffees, cookies, and I even had a mocktail that scratched that itch for a refreshing mid-ride drink. I ended up winning two prize bags in the raffle easily worth over $150 and I only bought $40 worth of tickets so it was money well spent. Finally it was time to head home for the last 24 miles of my century.

I took it real easy on the LA river path going back to Long Beach since the pains of a century had begun to set in: saddle soreness, back pain, toe pain (this one is the bottleneck for me right now, can get painful enough that I have to stop and take off the shoes for a bit sometimes). I realized as I got closer to home that I was going to fall 2 miles short of 100 since I didn’t do the climb up Elysian. Part of me didn’t care and wanted it to be over, the other part of me wanted to finish what I fucking started. The latter me won and I flew past the exit to my home and down to the beach path for some bonus miles. What I totally forgot was that the shoreline area had been inundated by tourists going to the Grand Prix, and an entire swath of the path was closed to foot and bicycle traffic. I got to a chain link fence and was told I needed to go back the way I came. Instead of going all the way back up to river path to the previous exit I rode up the wrong way on the Queens Way Bridge then flipped a U turn back into downtown and finally, mercifully back home.

I had a tight timeline since I was trying to make a concert at 7pm. Except as I found out when I got there the concert was actually at 8 pm. So I went to get a coffee and wait. I was watching Big Band of Brothers, a big band tribute to the Allman Brothers Band which sounds crazy but inevitably makes perfect sense. I sat in the theatre and watched this 13 piece band rip through some ABB classics with saxophone, trumpet, and trombone solos standing in for Dickey Betts and Duane Allman. The 100 miles still felt fresh and my legs were feeling a dull throbbing pain, I should have been home resting, but I absolutely wanted to see this band. This milieu I was in had me reflecting on the nature of Jazz. I was an Allman Brothers fan long before I was a jazz fan but now it seems inevitable that I would come around to it. The Allman Brothers band live was an amazing experience, the songs are never played the same way. You have all these musicians on stage who play off each other, off the energy in the room that night, or just trying something new that day. This southern classic rock jam band is really just a jazz band. I read a description of a 30 minute version of Whipping Post once where the band had shifted past the first couple verse and choruses and into a primordial ooze of instrumentation, a space where the band was still playing but where direction the song could go in was infinite, it was the nameless miasma before the universe is created. Then suddenly there’s a big bang and the song takes real shape again with every musician suddenly knowing exactly what their role in this new world is. That’s fucking jazz! So it’s inevitable that I would one day grow to love it, and also inevitable the Allman Brothers would be transcribed so well into it.

This form of improvisation is what sets this genre apart from every other music on the planet, what’s more it’s uniquely American. To me jazz shows are electric, energetic, and always unique. Something which unfortunately is not true for all the concerts I go to, thinking of Slayer and Megadeth who play through their songs with precision and clockwork just as they are on the albums, but it’s okay I love them for other reasons I’m sure I’ll get to on here some day.

This interplay between conflict, resolution, solos, improvisation, payoff: it was just like my ride that day. This dance between obstacles, setbacks, shortcuts, serendipitous rewards: that’s fucking Jazz! It’s alive and ever changing, exciting and new every time, no matter how many miles I ride.

100 Miles Through The Palm Desert

100 Miles Through The Palm Desert

A Mostly Musical Journey

About to take off at the start line with RCC

Inspired by my triathlete friend Daniel’s Blog where he recounts his big events I’ve decided to write down significant rides on my own though not always through an athletic looking glass. The germination of this particular post stems from a conversation we had the night before the Tour De Palm Springs between Daniel, our friend Sergio (who we recently viciously kidnapped into the world of cycling) and I. The question of what we actually do for multiple hours on a bicycle on these 100 mile rides came up. Obviously we pedal, yes, but our minds are left trapped on this one way train for hours on end. If you stick with a group or are of a friendly disposition then conversations are easy enough to have and those are great to pass the time but if you have a hard time keeping up with groups…let’s say…particularly on climbs or long but gradual inclines like me or if you just prefer riding alone then what do you do?

Daniel and Sergio both agreed that listening to audio books and podcasts is the way to go. I agreed, that’s definitely a great way to live out your masochist fantasies on a bike. Okay I’m being sarcastic, they enjoy this and maybe consider it even more of a “productive” endeavor, a synergy between mind and body where the body is working and the mind is learning. I understand the impulse, it’s the same feeling I get when I used to drive across LA for work, may as well knock out a book or learn some new shit while stuck in traffic, right? May as well learn the secret art of the law of attraction while pedaling for 6 hours straight too then yeah? Hell nah.

I listen to music, it’s a ride enhancer for me. It scoops me out of the lows and it makes the highs higher. My bicycle ride becomes art, a film in my head. Oftentimes the combination of my struggle, the vistas, and the music combine together to form some sort of alchemical concoction greater than the sum of its parts and later on that’s what I remember the most, not the suffering but the grandiose canvas of emotions I felt. I tried to jot down some quick notes to prompt my recounting of the ride so get ready for a deep dive into the intersection between music scores, soundtracks and cycling that you never asked for.

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